Candy Medication — A Reader’s Guide
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HISTORICAL INTRODUCTION.
THE IDEA of presenting medicine in candy form is really very old. The term confection, which originally meant a medicinal compound being derived from the Latin word "_conficere_," to put together, has been applied since the days of classical antiquity to mixtures of medicinal substances with saccharine matter. The only official relics of this once very extensive class of preparations are the confection of rose and the confection of senna; both of which, however, are also practically obsolete. The reason for this is not difficult to find. Neither of them come up to our modern ideas of a confection. We may officially call them a confection, but a youngster would be disrespectful enough to disagree with the pharmacopoeia.
More closely akin to candy are lozenges, and yet they are not real candy. The only one among them that is pleasant is the santonin lozenge; and it is the only one that is popular. An especially good imitation of candy form are the deservedly popular so-called German worm lozenges. It was acquaintance with these that led the writer to seek for other real candy medicaments. He could find only two such upon the market: viz., Calomel Tablets under the name of "Aromatic Calomel," and Phenolphthalein Tablets under various fanciful trade-names, such as "Purgen," "Phenolax," etc., unless "Candy Cathartic Cascarets," and the French candy laxative known as "Tamar Indien" were also to be included.
Convinced that administration in candy form would be ideal for children, the author took a number of years ago a course of instruction with a candy-maker, in the hope of finding in the confectioner's art some new form of pleasant administration for medicine. He made sulphur taffy and cod-liver oil chocolate creams;[1] but these and a large number of other attempts were unsuccessful. It may be of interest, in this connection, to note that, in 1911, Sir James Sawyer[2] published in "The Lancet" a process for the production of what he calls "cremulae" or medicated chocolate creams. They were prepared by evaporating a mixture of sugar and of milk to the consistency of paste, in which various medicaments might be incorporated, and which is then covered with chocolate, as in the popular chocolate drop. This is, as will be seen, a troublesome process. The author's studies in the candy shop seemed to point to "fondant" as the most suitable candy form for purposes of medication. "Fondant", however, has the disadvantage of becoming hard with age. Free from this objection and closely similar to the "fondant" is a rather lightly compressed tablet made of finely powdered cane sugar. And so finally the tablet form was chosen as the best and most convenient for candy medication--a form which was already in successful use, as has been stated, for the administration of calomel and of phenolphthalein. For such tablets the term _tabellae dulces_,[3] or sweet tablets, might be proposed.
TO BE SUCCESSFUL, sweet tablets must meet the following requirements:
1. They must be perfectly delicious sweets, attractive in form, color, and odor; and free from the slightest suspicion of disagreeable or medicinal taste.
2. They must disintegrate rapidly in the mouth; for a sick child will usually not suck candy as a healthy youngster would.
3. To constitute a real advance in therapeutics, it must be possible for the average pharmacist to prepare them extemporaneously, so that the physician may be able to fit the medicament to suit the case, and that the pharmacist may not be forced to carry in stock a large assortment of these more or less perishable goods.
In view of these exacting requirements, it may seem remarkable that over fifty different medicaments are at present available for administration in the form of sweet tablets. This has been accomplished by taking advantage of the fact that some medicines are practically tasteless; that modern synthetic chemistry has enriched our resources in this direction by the production of a large number of tasteless, or almost tasteless, and yet active substances; and that many of the isolated active principles of drugs are easily disguised. In some cases a chemical trick is successful, e. g., using a little alkali or a little acid to render the substance less soluble in the mouth. Some of the bitterest alkaloids, e.g., strychnine, have been rendered available for candy medication by the use of finely powdered fuller's earth, or of Lloyd's Reagent, to be described later. Quite a number of almost insoluble substances of slight but lingering taste can be made perfectly pleasant by saccharinization.
THE USES OF SWEET TABLETS.
Bernard Fantus's Candy Medication (1915) is a specialized formulary that systematically transforms bitter drugs into palatable sweet tablets for pediatric use. The work opens with a historical introduction and then moves directly into the practical: a classification of 'Tabellae Dulces' and a chapter on their uses. Fantus, a professor of pharmacology at the University of Illinois, grounds his formulae in five years of laboratory research and private practice. The book's structure alternates between general principles—such as flavor choice, taste subduing, and color selection—and specific recipes, each with precise ingredient weights, die sizes, and compression instructions. This blend of theory and hands-on method makes the text both a clinical reference and a manufacturing manual.
From Principle to Prescription
The book's organization reflects a deliberate pedagogical arc. After a brief historical note, Fantus devotes chapters to the rationale for sweet tablets, their advantages over liquid medicines, and the mechanics of tablet making. Only then does he present the formulary proper, which occupies the bulk of the text. Each entry follows a consistent template: Latin title, English translation, dosage, cautionary notes, and one or two formulae. For example, the entry for nitroglycerin tablets specifies a 0.0003 Gm dose and warns that 'only a small number of these tablets should be ordered at one time' because they 'do not keep well.' This pattern repeats for dozens of drugs, from heroin to calomel, creating a reference that is easy to navigate during prescribing.
Recurring Images: Color, Flavor, and the 'Fat Sugar' Base
Throughout the formulary, Fantus emphasizes sensory appeal. He specifies colors—'red fat sugar,' 'pink fat sugar'—and flavors such as vanilla, cinnamon, and cacao. The base 'fat sugar' appears repeatedly, a mixture of sugar with a fatty excipient that aids compression and masks taste. In the calomel tablet, 'pink fat sugar' is the sole excipient; in the hexamethylenamine tablet, 'vanilla cacao sugar' provides both flavor and color. These recurring ingredients create a visual and gustatory consistency across the recipes. Fantus also includes alternate formulae, often substituting one flavor or colorant for another, showing a flexible approach to compounding.
Movement Between Scenes: From Laboratory to Sickroom
Fantus moves fluidly between the pharmacologic laboratory and the domestic sickroom. In the preface, he describes his research at the University of Illinois and his private practice, then expresses hope that the book will 'rob childhood of one of its terrors, namely, nasty medicine.' The formulae themselves are written for the pharmacist's bench—with instructions for trituration, evaporation, and machine compression—but the intended endpoint is always the child patient. The note on heroin tablets, for instance, cautions about toxicity and limits the number dispensed, while the nitroglycerin entry warns of instability. This dual focus on laboratory precision and bedside empathy gives the text a distinctive voice, blending scientific rigor with a humane mission.
The Tablet Machine as a Character
A surprising amount of attention is given to the tablet machine itself. Fantus includes a separate chapter on its care and use, and nearly every formula specifies die and punch sizes—'3/8-inch die and punches' or '5/16-inch die and punches.' The machine is not merely a tool but a co-creator of the medication. In the preface, Fantus notes that he has 'elaborated the process of fat covering' to make tablet preparation 'no more difficult than the making of pills or of suppositories.' This mechanical focus grounds the book in early twentieth-century pharmacy practice, where extemporaneous compounding was still common. The repeated references to compression, trituration, and die sizes give the text a tactile, workshop quality.
Readers approaching Candy Medication should treat it as a period-specific technical manual rather than a modern pharmacology text. The formulae reflect early 1900s drug standards and include substances like heroin and calomel that are now restricted or obsolete. Yet the book's core concern—making medicine palatable for children—remains relevant. Fantus's systematic approach to flavor, color, and texture offers a historical case study in pharmaceutical design. For those interested in the history of pharmacy, pediatric medicine, or the material culture of early twentieth-century healthcare, this work provides a detailed, recipe-level view of a once-innovative practice.
I keep thinking about that old formulary with its careful sugar pills, how tenderly it trusted sweetness to carry medicine. It reminded me of another quiet voice from the past, Madame Young's Guide to Health Her experience and practice for nearly forty years; a true family herbal, wherein is displayed the true properties and medical virtues of — A Closer Reading, where healing feels less like science and more like a hand held softly.
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