The Black Death, and The Dancing Mania — Reading Companion

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In Category - Medicine
Hecker, J. F. C. (Justus Friedrich Carl), 1795-1850, Morley, Henry, 1822-1894 [Editor], Babington, B. G. (Benjamin Guy), 1794-1866 [Translator] Project Gutenberg 1999 Not confirmed
Black Death; Chorea, Epidemic; Epidemics Readers of public-domain and historical texts
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Words 46,609
Reading time 203 min
Text sections 4

For The Black Death, and The Dancing Mania — Reading Companion, the stored edition analysis reports 46,609 words, 3 hr 23 min estimated reading time, and 4 detected text sections.

The text analysis averages about 33.7 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Black Death,” connecting these edition facts with the source record’s subject description.

Hecker's 1832 medical history examines the Black Death and the Dancing Mania through contemporary accounts, focusing on symptoms, social reactions, and the interplay between natural phenomena and supernatural beliefs. Babington's translation preserves the clinical yet vivid tone of the original German.
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Contagion was evident, for attendants caught the disease of their relations and friends, and many houses in the capital were bereft even of their last inhabitant. Thus far the ordinary circumstances only of the oriental plague occurred. Still deeper sufferings, however, were connected with this pestilence, such as have not been felt at other times; the organs of respiration were seized with a putrid inflammation; a violent pain in the chest attacked the patient; blood was expectorated, and the breath diffused a pestiferous odour.

In the West, the following were the predominating symptoms on the eruption of this disease. An ardent fever, accompanied by an evacuation of blood, proved fatal in the first three days. It appears that buboes and inflammatory boils did not at first come out at all, but that the disease, in the form of carbuncular (_anthrax-artigen_) affection of the lungs, effected the destruction of life before the other symptoms were developed.

Thus did the plague rage in Avignon for six or eight weeks, and the pestilential breath of the sick, who expectorated blood, caused a terrible contagion far and near; for even the vicinity of those who had fallen ill of plague was certain death; so that parents abandoned their infected children, and all the ties of kindred were dissolved. After this period, buboes in the axilla and in the groin, and inflammatory boils all over the body, made their appearance; but it was not until seven months afterwards that some patients recovered with matured buboes, as in the ordinary milder form of plague.

Such is the report of the courageous Guy de Chauliac, who vindicated the honour of medicine, by bidding defiance to danger; boldly and constantly assisting the affected, and disdaining the excuse of his colleagues, who held the Arabian notion, that medical aid was unavailing, and that the contagion justified flight. He saw the plague twice in Avignon, first in the year 1348, from January to August, and then twelve years later, in the autumn, when it returned from Germany, and for nine months spread general distress and terror. The first time it raged chiefly among the poor, but in the year 1360, more among the higher classes. It now also destroyed a great many children, whom it had formerly spared, and but few women.

The like was seen in Egypt. Here also inflammation of the lungs was predominant, and destroyed quickly and infallibly, with burning heat and expectoration of blood. Here too the breath of the sick spread a deadly contagion, and human aid was as vain as it was destructive to those who approached the infected.

Boccacio, who was an eye-witness of its incredible fatality in Florence, the seat of the revival of science, gives a more lively description of the attack of the disease than his non-medical contemporaries.

It commenced here, not as in the East, with bleeding at the nose, a sure sign of inevitable death; but there took place at the beginning, both in men and women, tumours in the groin and in the axilla, varying in circumference up to the size of an apple or an egg, and called by the people, pest-boils (gavoccioli). Then there appeared similar tumours indiscriminately over all parts of the body, and black or blue spots came out on the arms or thighs, or on other parts, either single and large, or small and thickly studded. These spots proved equally fatal with the pest-boils, which had been from the first regarded as a sure sign of death. No power of medicine brought relief--almost all died within the first three days, some sooner, some later, after the appearance of these signs, and for the most part entirely without fever or other symptoms. The plague spread itself with the greater fury, as it communicated from the sick to the healthy, like fire among dry and oily fuel, and even contact with the clothes and other articles which had been used by the infected, seemed to induce the disease. As it advanced, not only men, but animals fell sick and shortly expired, if they had touched things belonging to the diseased or dead. Thus Boccacio himself saw two hogs on the rags of a person who had died of plague, after staggering about for a short time, fall down dead as if they had taken poison. In other places multitudes of dogs, cats, fowls, and other animals, fell victims to the contagion; and it is to be presumed that other epizootes among animals likewise took place, although the ignorant writers of the fourteenth century are silent on this point.

Hecker's account of the Black Death opens with a striking shift from clinical observation to apocalyptic description: the plague 'spread terror and dismay' not only through mortality but through the 'horror of the symptoms' that preceded death. The translator, B. G. Babington, renders Hecker's German with a formal, almost stately cadence that suits the gravity of the subject. Yet within this measured prose, Hecker frequently interjects vivid details—such as the 'swathing' of patients' waists to relieve tympany during the Dancing Mania—that ground the narrative in bodily experience.

The Clinical Eye and the Supernatural Frame

Hecker writes as a physician trained in historical pathology, but his sources are medieval chroniclers who saw demonic possession in every seizure. The text oscillates between two registers: the rationalist's search for natural causes (e.g., 'the influence of red colours on disordered nerves') and the faithful reproduction of accounts that describe 'the heavens open and the Saviour enthroned.' This tension is not resolved; instead, Hecker lets the contradictions stand, allowing readers to observe how medical and religious explanations coexisted. The Dancing Mania is described as beginning with 'epileptic convulsions,' yet the same paragraph notes that sufferers 'shrieked out' the names of spirits. Hecker does not dismiss the spiritual interpretations outright, but he reframes them as symptoms of a collective nervous disorder shaped by the 'religious notions of the age.'

Pace and the Accumulation of Detail

The narrative rhythm of The Black Death is deliberate, even slow, as Hecker piles up geographical and chronological specifics: 'In Liege, Utrecht, Tongres, and many other towns of Belgium, the dancers appeared with garlands in their hair.' This accumulation creates a sense of inexorable spread. Yet within these catalogues, Hecker inserts abrupt, almost grotesque particulars—such as the practice of 'thumping and trampling upon the parts affected' to relieve tympany. The effect is a jarring shift from statistical survey to visceral description. The Dancing Mania section accelerates further, with shorter paragraphs and more direct quotations from witnesses, mirroring the frantic energy of the dancers themselves. Hecker's prose thus enacts the very acceleration it describes.

The Translator's Voice and the German Original

Babington's translation, first published in 1832, retains the formal syntax of Hecker's German while occasionally introducing English idioms that feel slightly anachronistic. The editor, Henry Morley, notes in his introduction that Hecker 'studied disease in relation to the history of man,' and the translation reflects this interdisciplinary ambition. Babington preserves Hecker's long, periodic sentences—'Where the disease was completely developed, the attack commenced with epileptic convulsions'—which lend a clinical authority. But he also renders the more dramatic passages with a vividness that borders on the sensational: 'they foamed at the mouth, and suddenly springing up began their dance amidst strange contortions.' The result is a text that feels both scholarly and lurid, a hybrid that mirrors the dual nature of its subject matter.

Readers should attend to the footnotes and marginalia, where Hecker often adds qualifying observations or cites conflicting sources. The text rewards those who read slowly, noting how Hecker's own voice emerges through the layers of translation and editorial framing. The Dancing Mania section, in particular, benefits from being read aloud, as its rhythmic prose echoes the compulsive movements it describes.

Reading Hecker’s account of the Dancing Mania, I kept thinking how desperate the search for relief must have been. That same quiet longing for something that works lingers in an old guide like Remarks on the Uses of some of the Bazaar Medicines and Common Medical Plants of India With a full index of diseases, indicating their treatment by these and other agents — A Reader’s Guide, where every herb was once a small hope, a hand extended across the centuries.

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